Race, Social Justice, and Civil Rights

An intersectional history of the shared struggle for African American and Latinx civil rights. Spanning more than two hundred years, An African American and Latinx History of the United States is a revolutionary, politically charged narrative history arguing that the "Global South" was crucial to the development of America as we know it.

A revealing look at how negative biases against women of color are embedded in search engine results and algorithms. Run a Google search for "black girls"--what will you find? "Big Booty" and other sexually explicit terms are likely to come up as top search terms. But, if you type in "white girls," the results are radically different. The suggested porn sites and un-moderated discussions about "why black women are so sassy" or "why black women are so angry" presents a disturbing portrait of black womanhood in modern society. In Algorithms of Oppression, Safiya Umoja Noble challenges the idea that search engines like Google offer an equal playing field for all forms of ideas, identities, and activities.

American by Birth explores the history and legacy of Wong Kim Ark and the 1898 Supreme Court case that bears his name, which established the automatic citizenship of individuals born within the geographic boundaries of the United States. In the late nineteenth century, much like the present, the United States was a difficult, and at times threatening, environment for people of color. Chinese immigrants, invited into the United States in the 1850s and 1860s as laborers and merchants, faced a wave of hostility that played out in organized private violence, discriminatory state laws, and increasing congressional efforts to throttle immigration and remove many long-term residents.

This groundbreaking book traces the transformation of Asian Americans from a few small, disconnected, and largely invisible ethnic groups into a self-identified racial group that is influencing every aspect of American society. It explores the events that shocked Asian Americans into motion and shaped a new consciousness. Helen Zia, the daughter of Chinese immigrants, writes as a personal witness to the dramatic changes involving Asian Americans.

Philip G. Schrag, the director of Georgetown University's asylum law clinic, takes readers through thirty years of conflict over which refugee advocates resisted the detention of migrant children. Schrag provides recommendations for the reform of a system that has brought anguish and trauma to thousands of parents and children.

Despite the fact that two thirds of U.S. Buddhists identify as Asian American, mainstream perceptions about what it means to be Buddhist in America often whitewash and invisibilize the diverse, inclusive, and intersectional communities that lie at the heart of American Buddhism. Be the Refuge is both critique and celebration, calling out the erasure of Asian American Buddhists while uplifting the complexity and nuance of their authentic stories and vital, thriving communities.

Contributors include Opal Tometi, who wrote a moving foreword, Bettina Love who shares a powerful chapter on abolitionist teaching, Brian Jones who centers Black Lives Matter at School in the historical context of the ongoing struggle for racial justice in education and prominent teacher union leaders from Chicago to Los Angeles and beyond who discuss the importance of anti-racist struggle in education unions. The book includes essays, interviews, poems, resolutions, and more from educators, students and parents around the country who have been building Black Lives Matter at School on the ground.

Through archival sources and the voices of many of those who lived and made this history, Black Software centralizes African Americans' role in the Internet's creation and evolution, illuminating both the limits and possibilities for using digital technology to push for racial justice in the United States and across the globe.

Beyond race, class, or other factors, there is a powerful caste system that influences people's lives and behavior and the nation's fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more.

Civil Rights For Beginners fills a major gap by placing the modern civil rights movement into a broader historical perspective. It also discusses the civil rights and liberation movements from the '60s to the present that the African American freedom struggles helped to catalyze including the Chicano Movement, the American Indian Movement, the Asian-American Movement, the Women's Movement, and the Gay Liberation Movement.

An acclaimed, timely narrative of how people of faith have historically--up to the present day--worked against racial justice. And a call for urgent action by all Christians today in response. The Color of Compromise is both enlightening and compelling, telling a history we either ignore or just don't know. Equal parts painful and inspirational, it details how the American church has helped create and maintain racist ideas and practices. You will be guided in thinking through concrete solutions for improved race relations and a racially inclusive church.

In this groundbreaking history of the modern American metropolis, Richard Rothstein, a leading authority on housing policy, explodes the myth that America's cities came to be racially divided through de facto segregation--that is, through individual prejudices, income differences, or the actions of private institutions like banks and real estate agencies. Rather, The Color of Law incontrovertibly makes clear that it was de jure segregation--the laws and policy decisions passed by local, state, and federal governments--that actually promoted the discriminatory patterns that continue to this day.

A brilliant and deeply disturbing biography of the idea of black criminality in the making of modern urban America, The Condemnation of Blackness reveals the influence this pernicious myth, rooted in crime statistics, has had on our society and our sense of self. Black crime statistics have shaped debates about everything from public education to policing to presidential elections, fueling racism and justifying inequality.

The history of Arab settlement in the United States stretches back nearly as far as the history of America itself. For the first time, Alia Malek brings this history to life. In each of eleven spellbinding chapters, she inhabits the voice and life of one Arab American, at one time-stopping historical moment. Separately, the chapters in A Country Called Amreeka transport us; together, they offer a vital piece of the mosaic of our American history and a fresh, urgent, and exciting perspective on a teeming community whom it has become essential for us to understand.

Relates immigration stories from both sides of the Arizona-Mexico border, ranging from the illegal immigrants who risk death in Arizona's deserts to the Border Patrol agents charged with patrolling the increasingly militarized borderlands.

Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past fifty years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaet n and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players

Drawing on both political observations and personal experience as a Black son of the South, New York Times Op-Ed columnist Blow sets out to offer a call to action by which Black people can finally achieve equality, on their own terms. This book is a grand exhortation to generations of a people, offering a road map to true and lasting freedom.

In the era of Donald Trump, many lower- and middle-class white Americans are drawn to politicians who pledge to make their lives great again. But as Dying of Whiteness shows, the policies that result actually place white Americans at ever-greater risk of sickness and death. Physician Jonathan M. Metzl's quest to understand the health implications of "backlash governance" leads him across America's heartland. Interviewing a range of everyday Americans, he examines how racial resentment has fueled progun laws in Missouri, resistance to the Affordable Care Act in Tennessee, and cuts to schools and social services in Kansas. And he shows these policies' costs: increasing deaths by gun suicide, falling life expectancies, and rising dropout rates. White Americans, Metzl argues, must reject the racial hierarchies that promise to aid them but in fact lead our nation to demise.

Recent years have seen an explosion of protest against police brutality and repression most dramatically in Ferguson, Missouri, where longheld grievances erupted in violent demonstrations following the police killing of Michael Brown. Among activists, journalists, and politicians, the conversation about how to respond and improve policing has focused on accountability, diversity, training, and community relations. Unfortunately, these reforms will not produce results, either alone or in combination. The core of the problem must be addressed- the nature of modern policing itself.

Scholar and political commentator Marc Lamont Hill and Israel-Palestine expert Mitchell Plitnick spotlight how holding fast to one-sided and unwaveringly pro-Israel policies reflects the truth-bending grip of authoritarianism on both Israel and the United States. Except for Palestine argues that progressives and liberals who oppose regressive policies on immigration, racial justice, gender equality, LGBTQ rights, and other issues must extend these core principles to the oppression of Palestinians.

Debut author and journalist Paola Ramos travels to near and far corners of the country in search of Latin-X voices that illustrate a growing movement and represent a community of young Latinos that hold more political, social, and cultural relevance today than ever before.

On February 18, 1965, an overflowing crowd packed the Cambridge Union in Cambridge, England, to witness a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America's most influential conservative intellectual. The topic was "the American dream is at the expense of the American Negro," and no one who has seen the debate can soon forget it.

The founder of Latina Rebels and a “Latinx Activist You Should Know” empowers women to decolonize their worldview, and defy "universal" white narratives, by telling their own stories. Her book guides women of color toward a sense of pride and sisterhood and offers essential tools to energize a movement.

In writing about Boston Chinatown's long history, Michael Liu, a lifelong activist and scholar of the community, charts its journey and efforts for survival--from its emergence during a time of immigration and deep xenophobia to the highway construction and urban renewal projects that threatened the neighborhood after World War II to its more recent efforts to keep commercial developers at bay. At the ground level, Liu depicts its people, organizations, internal battles, and varied and complex strategies against land-taking by outside institutions and public authorities.

In unearthing HIV community newsletters, media, zines, porn, literature, and even vampires, Forget Burial bridges early HIV care-giving activisms with contemporary disability movements. In refusing to bury the legacies of long-term survivors and of those we have lost, this book brings early HIV kinships together with ongoing movements for queer and trans body self-determination.

Merging real stories with theory, research, and practice, a prominent scholar offers a new approach to teaching and learning for every stakeholder in urban education. Drawing on his own experience of feeling undervalued and invisible in classrooms as a young man of color and merging his experiences with more than a decade of teaching and researching in urban America, award-winning educator Christopher Emdin offers a new lens on an approach to teaching and learning in urban schools.

A groundbreaking, breathtaking history of the Chinese workers who built the Transcontinental Railroad, helping to forge modern America only to disappear into the shadows of history until now. From across the sea, they came by the thousands, escaping war and poverty in southern China to seek their fortunes in America. Converging on the enormous western worksite of the Transcontinental Railroad, the migrants spent years dynamiting tunnels through the snow-packed cliffs of the Sierra Nevada and laying tracks across the burning Utah desert. Their sweat and blood fueled the ascent of an interlinked, industrial United States. But those of them who survived this perilous effort would suffer a different kind of death--a historical one, as they were pushed first to the margins of American life and then to the fringes of public memory.

In this fascinating history, roving reporter Andy Robinson takes readers from the salt planes of Chile to the depths of the Amazonian jungle to stitch together the story of Latin America's last decade, showing how the imperial plunder of the past carries on today under a new name.

Ojibwe novelist and nonfiction author Treuer (Prudence) offers a counter-narrative to the "same old sad story of the 'dead Indian' " in this forceful, full-scale history of the Native American experience. The book's title references Dee Brown's 1970 bestseller, Bury My Heart at Wounded Knee, and its claim that, between 1860 and 1890, "the culture and civilization of the American Indian was destroyed." Aiming to recast how Native Americans see themselves as well as how they're viewed by others, Treuer briskly chronicles the first four centuries of contact between Europeans and American Indians before taking a deep dive into the "untold story of the past 128 years."

Under the cover of the terrorist attacks, the wars in Afghanistan and Iraq, and the explosion of political violence around the world, a fundamental misunderstanding of the Arab and Muslim American communities has been allowed to fester and even to define the lives of the seven twentysomething men and women whom we meet in this book. As drama of all kinds swirls around them, these young men and women strive for the very things the majority of young adults desire: opportunity, marriage, happiness, and the chance to fulfill their potential. But what they have now are lives that are less certain, and more difficult, than they ever could have imagined: workplace discrimination, warfare in their countries of origin, government surveillance, the disappearance of friends or family, threats of vigilante violence, and a host of other problems that thrive in the age of terror. And yet How Does It Feel to Be a Problem? takes the raw material of their struggle and weaves it into an unforgettable, and very American, story of promise and hope.

While the North prevailed in the Civil War, ending slavery and giving the country a "new birth of freedom," Heather Cox Richardson argues in this provocative work that democracy's blood-soaked victory was ephemeral. The system that had sustained the defeated South moved westward and there established a foothold.

Kendi takes readers through a widening circle of antiracist ideas--from the most basic concepts to visionary possibilities--that will help readers see all forms of racism clearly, understand their poisonous consequences, and work to oppose them in our systems and in ourselves. Kendi weaves an electrifying combination of ethics, history, law, and science with his own personal story of awakening to antiracism. This is an essential work for anyone who wants to go beyond the awareness of racism to the next step: contributing to the formation of a just and equitable society.

Conley uses on-the-ground interviews to describe fear and resistance from the perspective of those most affected by it. She shows how, for example, the Illegal Immigration Reform and Enforcement Act in Georgia prompted marches and an action that became "a day of non-compliance." Likewise, an "enforcement lottery" that created unpredictable threats of arrest and deportation in the region mobilized immigrants to organize and demonstrate. However, as immigrant rights activists mobilize in opposition to the criminalization of undocumented people, they may unintentionally embrace stories of who deserves to be in the United States and who does not. Immigrant Rights in the Nuevo South explores these paradoxes while offering keen observations about the nature and power of Latinx resistance.

Despite the passage of time, our vision of Native Americans remains locked up within powerful stereotypes. That's why some images of Indians can be so unexpected and disorienting: What is Geronimo doing sitting in a Cadillac? Why is an Indian woman in beaded buckskin sitting under a salon hairdryer? Such images startle and challenge our outdated visions, even as the latter continue to dominate relations between Native and non-Native Americans. Philip Deloria explores this cultural discordance to show how stereotypes and Indian experiences have competed for ascendancy in the wake of the military conquest of Native America and the nation's subsequent embrace of native "authenticity." More important, he shows how such seemingly harmless (even if unconscious) expectations contribute to the racism and injustice that still haunt the experience of many Native American people today.

Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.

Less than three months after Japan bombed Pearl Harbor and inflamed the nation, President Roosevelt signed an executive order declaring parts of four western states to be a war zone operating under military rule. The U.S. Army immediately began rounding up thousands of Japanese-Americans, sometimes giving them less than 24 hours to vacate their houses and farms. For the rest of the war, these victims of war hysteria were imprisoned in primitive camps. Acclaimed historian Richard Reeves has interviewed survivors, read numerous private letters and memoirs, and combed through archives to deliver a sweeping narrative of this atrocity. Racism, greed, xenophobia, and a thirst for revenge: a dark strand in the American character underlies this story of one of the most shameful episodes in our history. But by recovering the past, Infamy gives voice to those who ultimately helped the nation better understand the true meaning of patriotism.

A timely examination of the ways Black women, Indigenous women, and other women of color are uniquely affected by racial profiling, police brutality,and immigration enforcement. Invisible No More is a timely examination of how Black women, Indigenous women, and women of color experience racial profiling, police brutality, and immigration enforcement. Placing stories of individual women-such as Sandra Bland, Rekia Boyd, Dajerria Becton, Monica Jones, and Mya Hall-in the broader context of the twin epidemics of police violence and mass incarceration, it documents the evolution of movements centering women's experiences of policing and demands a radical rethinking of our visions of safety-and the means we devote to achieving it.

The late Pulitzer Prize-winning writer Alex Tizon told the epic stories of marginalized people--from lonely immigrants struggling to forge a new American identity to a high school custodian who penned a New Yorker short story. Mining his Filipino American background, Tizon tells the stories of immigrants from Cambodia and Laos. He gives a fascinating account of the Beltway sniper and insightful profiles of Surfers for Jesus and a man who tracks UFOs. His articles--many originally published in the Seattle Times and the Los Angeles Times--are brimming with enlightening details about people who existed outside the mainstream's field of vision.

Conversations about controversial topics can be difficult, painful, and emotionally charged. This user-friendly guide will help you engage in effective, compassionate discussions with family, friends, colleagues, and even strangers about race, immigration, gender, marriage equality, sexism, marginalization, and more.

The belief that all life-forms are interconnected and share the same breath--known in the Rarámuri tribe as iwígara--has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique Salmón builds on this concept of connection and highlights 80 plants revered by North America's indigenous peoples.

In Knowledge Justice, Black, Indigenous, and Peoples of Color scholars use critical race theory (CRT) to challenge the foundational principles, values, and assumptions of Library and Information Science and Studies (LIS) in the United States. They propel CRT to center stage in LIS, to push the profession to understand and reckon with how white supremacy affects practices, services, curriculum, spaces, and policies.

Across North America, dedicated language warriors are powering an upswell, a resurgence, a revitalization of indigenous languages and cultures. Through deliberate suppression and cultural destruction, the five hundred languages spoken on the continent before contact have dwindled to about 150. Their ongoing survival depends on immediate, energetic interventions. Anton Treuer has been at the forefront of the battle to revitalize Ojibwe for many years. In this impassioned argument, he discusses the interrelationship between language and culture, the problems of language loss, strategies and tactics for resisting, and the inspiring stories of successful language warriors.

On September 23, 1970, a group of antiwar activists staged a robbery at a bank in Massachusetts, during which a police officer was killed. While the three men who participated in the robbery were soon apprehended, two women escaped and became fugitives on the FBI's Ten Most Wanted list, eventually landing in a lesbian collective in Lexington, Kentucky, during the summer of 1974. In pursuit, the FBI launched a massive dragnet. Five lesbian women and one gay man ended up in jail for refusing to cooperate with federal officials, whom they saw as invading their lives and community. Dubbed the Lexington Six, the group's resistance attracted national attention, inspiring a nationwide movement in other minority communities.

"From Harvey Milk to ACT UP to Proposition 8, no political change in the last two decades has been as rapid as the advancement of civil rights for LGBTQ people. As we face a critical juncture in progressive activism, political science, which has been slower than most disciplines to study the complexity of queer politics, must grapple with the shifting landscape of LGBTQ rights and inclusion. LGBTQ Politics analyzes both the successes and obstacles to building the LGBTQ movement over the past twenty years, offering analyses that point to possibilities for the movement's future. Essays cover a range of topics, including activism, law, and coalition-building, and draw on subfields such as American politics, comparative politics, political theory, and international relations.

Today, Americans are debating our criminal justice system with new urgency. Mass incarceration and aggressive police tactics-and their impact on people of color-are feeding outrage and a consensus that something must be done. But what if we only know half the story? In Locking Up Our Own, the Yale legal scholar and former public defender James Forman Jr. weighs the tragic role that some African Americans themselves played in escalating the war on crime. As Forman shows, the first substantial cohort of black mayors, judges, and police chiefs took office around the country amid a surge in crime. Many came to believe that tough measures-such as stringent drug and gun laws and "pretext traffic stops" in poor African American neighborhoods-were needed to secure a stable future for black communities. Some politicians and activists saw criminals as a "cancer" that had to be cut away from the rest of black America. Others supported harsh measures more reluctantly, believing they had no other choice in the face of a public safety emergency. Drawing on his experience as a public defender and focusing on Washington, D.C., Forman writes with compassion for individuals trapped in terrible dilemmas-from the young men and women he defended to officials struggling to cope with an impossible situation.

The definitive history of Asian Americans by one of the nation's preeminent scholars on the subject. In the past fifty years, Asian Americans have helped change the face of America and are now the fastest growing group in the United States. But as award-winning historian Erika Lee reminds us, Asian Americans also have deep roots in the country. The Making of Asian America tells the little-known history of Asian Americans and their role in American life, from the arrival of the first Asians in the Americas to the present-day.

This book captures the entrepreneurial stories and mindsets of contemporary Native Americans. Native American entrepreneurs are important contributors to the American economy and social landscape. Faced with numerous challenges, many Native American entrepreneurs have learned to transcend tough obstacles, leverage resources, and strategically pursue opportunities to achieve business success.

This book provides the first comprehensive, region-wide, long-term, and accessible study of Native Americans in New England. This work is a comprehensive and region-wide synthesis of the history of the indigenous peoples of the northeastern corner of what is now the United States--New England--which includes the states of Massachusetts, Connecticut, Rhode Island, Maine, New Hampshire, and Vermont.

A rising legal star shows readers how the mass incarceration of a disproportionate number of black men amounts to a devastating system of racial control. This is a terrifying reality that exists in the UK as much as in the US. Despite the triumphant dismantling of the Jim Crow laws, the system that once forced African-Americans into a segregated second-class citizenship still haunts and the criminal justice system still unfairly targets black men and deprives an entire segment of the population of their basic rights.

Protests in Ferguson, Missouri and across the United States following the death of Michael Brown revealed something far deeper than a passionate display of age-old racial frustrations. They unveiled a public chasm that has been growing for years, as America has consistently and intentionally denied significant segments of its population access to full freedom and prosperity. In Nobody, scholar and journalist Marc Lamont Hill presents a powerful and thought-provoking analysis of race and class by examining a growing crisis in America: the existence of a group of citizens who are made vulnerable, exploitable and disposable through the machinery of unregulated capitalism, public policy, and social practice.

Framed movingly by her own family's story of immigration to America, Yang's One Mighty and Irresistible Tide is a deeply researched and illuminating work of history, one that shows how Americans have strived and struggled to live up to the ideal of a home for the "huddled masses," as promised in Emma Lazarus's famous poem.

Weaving together American history, dramatic family chronicle, and searing episodes of memoir, Annette Gordon-Reed's On Juneteenth provides a historian's view of the country's long road to Juneteenth, recounting both its origins in Texas and the enormous hardships that African-Americans have endured in the century since, from Reconstruction through Jim Crow and beyond.

Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real, and imagined queer and trans communities.

Using intersectionality as a framework, this edited collection explores the experiences of women of color in library and information science (LIS). With roots in black feminism and critical race theory, intersectionality studies the ways in which multiple social and cultural identities impact individual experience. Libraries and archives idealistically portray themselves as egalitarian and neutral entities that provide information equally to everyone, yet these institutions often reflect and perpetuate societal racism, sexism, and additional forms of oppression. Women of color who work in LIS are often placed in the position of balancing the ideal of the library and archive providing good customer service and being an unbiased environment with the lived reality of receiving microaggressions and other forms of harassment on a daily basis from both colleagues and patrons.

In Racial Melancholia, Racial Dissociation critic David L. Eng and psychotherapist Shinhee Han draw on case histories from the mid-1990s to the present to explore the social and psychic predicaments of Asian American young adults from Generation X to Generation Y.

Igniting a long-overdue dialogue about how the legacy of racial injustice and white supremacy plays out in society at large and Buddhist communities in particular, this urgent call to action outlines a new dharma that takes into account the ways that racism and privilege prevent our collective awakening. The authors traveled around the country to spark an open conversation that brings together the Black prophetic tradition and the wisdom of the Dharma. Bridging the world of spirit and activism, they urge a compassionate response to the systemic, state-sanctioned violence and oppression that has persisted against black people since the slave era.

In Reclaiming Our Space, social worker, activist, and cultural commentator Feminista Jones explores how Black women are changing culture, society, and the landscape of feminism by building digital communities and using social media as powerful platforms. Complex conversations around race, class, and gender that have been happening behind the closed doors of academia for decades are now becoming part of the wider cultural vernacular--one pithy tweet at a time. These online platforms have given those outside the traditional university setting an opportunity to engage with and advance these conversations--and in doing so have created new energy for intersectional movements around the world.

Jezebel's sexual lasciviousness, Mammy's devotion, and Sapphire's outspoken anger -- these are among the most persistent stereotypes that black women encounter in contemporary American life. Hurtful and dishonest, such representations force African American women to navigate a virtual crooked room that shames them and shapes their experiences as citizens. Many respond by assuming a mantle of strength that may convince others, and even themselves, that they do not need help. But as a result, the unique political issues of black women are often ignored and marginalized. In this groundbreaking book, Melissa V. Harris-Perry uses multiple methods of inquiry, including literary analysis, political theory, focus groups, surveys, and experimental research, to understand more deeply black women's political and emotional responses to pervasive negative race and gender images. Not a traditional political science work concerned with office-seeking, voting, or ideology, Sister Citizen instead explores how African American women understand themselves as citizens and what they expect from political organizing. Harris-Perry shows that the shared struggle to preserve an authentic self and secure recognition as a citizen links together black women in America, from the anonymous survivors of Hurricane Katrina to the current First Lady of the United States.

In this New York Times bestseller, Ijeoma Oluo offers a hard-hitting but user-friendly examination of race in America. Widespread reporting on aspects of white supremacy -- from police brutality to the mass incarceration of Black Americans -- has put a media spotlight on racism in our society. Still, it is a difficult subject to talk about. How do you tell your roommate her jokes are racist? Why did your sister-in-law take umbrage when you asked to touch her hair -- and how do you make it right? How do you explain white privilege to your white, privileged friend? In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from intersectionality and affirmative action to "model minorities" in an attempt to make the seemingly impossible possible: honest conversations about race and racism, and how they infect almost every aspect of American life.

On a hot June morning in 1975, a desperate shoot-out between FBI agents and Native Americans near Wounded Knee, South Dakota, left an Indian and two federal agents dead. Four members of AIM, the American Indian Movement, were indicted on murder charges, and one, Leonard Peltier, was convicted and is now serving consecutive life sentences in a federal penitentiary.Behind this violent chain of events lie issues of great complexity and profound historical resonance, brilliantly explicated by Peter Matthiessen in this controversial book. In a comprehensive history of the desperate Indian efforts to maintain their traditions, Matthiessen reveals the Lakota tribe's long struggle with the U.S. government, from Red Cloud's War and Little Big Horn in the nineteenth century to the shameful discrimination that led to the new Indian wars of the 1970s.

This remarkable reimagining of Dr. Ibram X. Kendi's National Book Award-winning Stamped from the Beginning reveals the history of racist ideas in America, and inspires hope for an antiracist future. It takes you on a race journey from then to now, shows you why we feel how we feel, and why the poison of racism lingers. It also proves that while racist ideas have always been easy to fabricate and distribute, they can also be discredited. Through a gripping, fast-paced, and energizing narrative written by beloved award-winner Jason Reynolds, this book shines a light on the many insidious forms of racist ideas--and on ways readers can identify and stamp out racist thoughts in their daily lives.

Americans like to insist that we are living in a postracial, color-blind society. In fact, racist thought is alive and well; it has simply become more sophisticated and more insidious. And as award-winning historian Ibram X. Kendi argues in Stamped from the Beginning that racist ideas in this country have a long and lingering history, one in which nearly every great American thinker is complicit. In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-Black racist ideas and their staggering power over the course of American history. Stamped from the Beginning shows how and why some of our leading proslavery and pro-civil rights thinkers have challenged or helped cement racist ideas in America. As Kendi provocatively illustrates, racist thinking did not arise from ignorance or hatred. Racist ideas were created and popularized in an effort to defend deeply entrenched discriminatory policies and to rationalize the nation’s racial inequities in everything from wealth to health. While racist ideas are easily produced and easily consumed, they can also be discredited. In shedding much-needed light on the murky history of racist ideas, Stamped from the Beginning offers us the tools we need to expose them--and in the process, gives us reason to hope.

In this essential primer, Tehama Lopez Bunyasi and Candis Watts Smith inspire readers to address the pressing issues of racial inequality, and provide a basic toolkit that will equip readers to become knowledgeable participants in public debate, activism, and politics. This book offers a clear vision of a racially just society, and shows just how far we still need to go to achieve this reality. From activists to students to the average citizen, Stay Woke empowers all readers to work toward a better future for black Americans.

The abolition of slavery after the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked 'a new birth of freedom' in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? Gates uncovers the roots of structural racism in our own time, while showing how African-Americans after slavery combatted it by articulating a vision of a 'New Negro' to force the nation to recognise their humanity and unique contributions to the United States.

Short, emotional, literary, powerful--Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read. As the country grapples with racist division at a level not seen since the 1960s, one man's voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece, "Death in Black and White," Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stop--a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted. "The time is at hand for reckoning with the past, recognizing the truth of the present, and moving together to redeem the nation for our future. If we don't act now, if you don't address race immediately, there very well may be no future."

Social justice work is more crucial than ever, but it can be physically and emotionally draining. Longtime activist Denise Collazo offers three keys to help Hispanic women keep their focus, morale, and energy high.

Drawing on Black intellectual and grassroots organizing traditions, including the Haitian Revolution, the US civil rights movement, and LGBTQ rights and feminist movements, Unapologetic challenges all of us engaged in the social justice struggle to make the movement for Black liberation more radical, more queer, and more feminist. This book provides a vision for how social justice movements can become sharper and more effective through principled struggle, healing justice, and leadership development.

The epic history of African American women's pursuit of political power -- and how it transformed America. In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons.

In this epic, beautifully written masterwork, Pulitzer Prize-winning author Isabel Wilkerson chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves.

Curated by Jasmin Hernandez, founder of Gallery Gurls, We Are Here presents the bold and nuanced work of Black and Brown visionaries transforming the art world. Centering BIPOC, with a particular focus on queer, trans, nonbinary, and BIWOC, this collection features fifty of the most influential voices in New York, Los Angeles, and beyond. Striking photography of art, creative spaces, materials, and the subjects themselves is paired with intimate interviews that engage with each artist and influencer, delving into their creative process and unpacking how each subject actively works to create a more radically inclusive world across the entire art ecosystem.

First-time mother Dani McClain sets out to understand how to raise her daughter in what she, as a black woman, knows to be an unjust -- even hostile -- society. Black women are more likely to die during pregnancy or birth than any other race; black mothers must stand before television cameras telling the world that their slain children were human beings. What, then, is the best way to keep fear at bay and raise a child so she lives with dignity and joy? McClain spoke with mothers on the frontlines of movements for social, political, and cultural change who are grappling with the same questions.

As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to the angry response of African Americans as "black rage," historian Carol Anderson wrote a remarkable op-ed in The Washington Post, suggesting that this was, instead, "white rage at work. With so much attention on the flames," she argued, "everyone had ignored the kindling." Since 1865 and the passage of the Thirteenth Amendment, every time African Americans made advances towards full participation in our democracy, white reaction fueled a deliberate and relentless rollback of their gains. Carefully linking historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Compelling and dramatic in the unimpeachable history it relates, White Rage will add an important new dimension to the national conversation about race in America.

The classic, bestselling book on the psychology of racism, now fully revised and updated. Walk into any racially mixed high school and you will see Black, White, and Latino youth clustered in their own groups. Is this self-segregation a problem to address or a coping strategy? Beverly Daniel Tatum, a renowned authority on the psychology of racism, argues that straight talk about our racial identities is essential if we are serious about enabling communication across racial and ethnic divides.

"[This book] contributes to the discussion of why women's human rights warrants increased focus in the context of globalization and how psychology can provide the currently missing, but necessary, links between transnational feminism and the discourse on women's human rights and neoliberalism. This volume takes a radically different approach to women's human rights by turning its attention to a variety of disciplines and, as a result, develops new ideas regarding how psychology can be relevant in the study or actualization of women's human rights. By doing so, it makes it very clear for readers as to how activist scholarship can make a unique contribution to the defense of women's rights. Rather than using examples that have been sensationalized throughout academia and advocacy (i.e. genital mutilation), each of this book's contributing authors has used examples (rape, sexual orientation, homelessness, civic participation, violence) of specific human rights violations that occur the world over in their attempt to make the relevance of psychology to this topic more visible to the reader." -- Publisher's website.

The 'yellow peril' is one of the most long-standing and pervasive racist ideas in Western culture-indeed, this book traces its history to the Enlightenment era. Yet while Fu Manchu evokes a fading historical memory, yellow peril ideology persists, WC animating, for example, campaign commercials from the 2012 presidential election.

Amber and Lacey share entertainingly horrifying stories through laugh-out-loud sisterly banter. Painfully relatable or shockingly eye-opening (depending on how often you have personally been followed by security at department stores), this book tackles modern-day racism with a balance of levity and gravity.

Delia del Carril (1884 - 1989) grew up in the aristocratic world of the Buenos Aires élite, but she rebelled by becoming an artist, a communist, and a cultural force in Latin America and Europe. Known as "the Ant" for her tireless work ethic, beloved for her wit, and admired for her enormous paintings, Delia's passion for life was unmatched, except perhaps by her husband of over twenty years, Pablo Neruda. In The Ant, Fernando Sáez explores the life and achievements of this remarkable woman, as well as her profound influence on Neruda's writing.

Through his own life story, from childhood through is life as an adult, El Rassi illustrates the prejudices and discrimination Arabs and Muslims experience daily in American society. He contends with ignorant teachers, racist neighbours, bullying classmates and a growing sense of alienation. He also examines the roles that media and popular culture play and with examples from film and news media, he shows how difficult it is to have an Arab identity in a society saturated with anti-Arab messages.

Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional 'womanly' pursuits, she rejected marriage – and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals.

As a father of three, married to a wonderful woman, and holding several prominent jobs within the Christian community, Dr. Paula Stone Williams made the life-changing decision to physically transition from male to female at the age of sixty.

In the searing pages of this classic autobiography, originally published in 1964, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement to veteran writer and journalist Alex Haley. The Autobiography of Malcolm X defines American culture and the African American struggle for social and economic equality that has now become a battle for survival. Malcolm's fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time.

Celebrated Stanford University historian Clayborne Carson is the director and editor of the Martin Luther King Papers Project; with thousands of King's essays, notes, letters, speeches, and sermons at his disposal, Carson has organized King's writings into a posthumous autobiography. Through King's voice, the reader intimately shares in his trials and triumphs, including the Montgomery Boycott, the 1963 "I Have a Dream Speech," the Selma March, and the 1964 Nobel Peace Prize. In one of his last speeches, King reminded his audience that "in the final analysis, God does not judge us by the separate incidents or the separate mistakes that we make, but by the total bent of our lives." Carson's skillful editing has created an original argument in King's favor that draws directly from the source, illuminating the circumstances of King's life without deifying his person. – Eugene Holley Jr.

"Here, for the first time, Michelle Obama describes the early years of her marriage as she struggles to balance her work and family with her husband's fast-moving political career. She takes us inside their private debate over whether he should make a run for the presidency and her subsequent role as a popular but oft-criticized figure during his campaign. Narrating with grace, good humor, and uncommon candor, she provides a vivid, behind-the-scenes account of her family's history-making launch into the global limelight as well as their life inside the White House over eight momentous years--as she comes to know her country and her country comes to know her."

The first definitive account of the lost girls of Boko Haram and why their story still matters--by celebrated international journalist Isha Sesay. In the early morning of April 14, 2014, the militant Islamic group Boko Haram violently burst into the small town of Chibok, Nigeria, and abducted 276 girls from their school dorm rooms. From poor families, these girls were determined to make better lives for themselves, but pursuing an education made them targets, resulting in one of the most high-profile abductions in modern history. While the Chibok kidnapping made international headlines, and prompted the #BringBackOurGirls movement, many unanswered questions surrounding that fateful night remain about the girls' experiences in captivity, and where many of them are today.

Coates takes readers along on his journey through America's history of race and its contemporary resonances through a series of awakenings--moments when he discovered some new truth about our long, tangled history of race, whether through his myth-busting professors at Howard University, a trip to a Civil War battlefield with a rogue historian, a journey to Chicago's South Side to visit aging survivors of 20th century America's 'long war on black people,' or a visit with the mother of a beloved friend who was shot down by the police.

From the host of the fabulous and popular show Bevelations on SiriusXM's Radio Andy channel, Bevy Smith's irreverent and inspiring memoir about learning to live a big, authentic, and unapologetic life--and how you can, too.

A journalist presents an intimate assessment of the mythology, experience, and psyche of the Asian-American male that traces his own experiences as an immigrant under the constraints of American cultural stereotypes.

When established Chicana writer Ana Castillo witnesses her own son's spiralling adulthood and eventual incarceration, she describes a scene that could be any mother's worst nightmare. But in the US, it is a nightmare especially reserved for mothers like her. In Black Dove, she looks at what it means to be a single, brown, feminist parent in a world of mass incarceration, racial profiling and police brutality.

In 2009, Jodie Patterson, mother of five and beauty entrepreneur, has her world turned upside down when her determined toddler, Penelope, reveals, "Mama, I'm not a girl. I am a boy." The Pattersons are a tribe of unapologetic Black matriarchs, scholars, financiers, Southern activists, artists, musicians, and disruptors, but with Penelope's revelation, Jodie realizes her existing definition of family isn't wide enough for her child's needs. In The Bold World, we witness Patterson reshaping her own attitudes, beliefs, and biases, learning from her children, and a whole new community, how to meet the needs of her transgender son. In doing so, she opens the minds of those who raised and fortified her, all the while challenging cultural norms and gender expectations.

Noah's path from apartheid South Africa to the desk of the Daily Show began with a criminal act: his birth. Born to a white Swiss father and a black Xhosa mother, at the time such a union was punishable by five years in prison. As he struggles to find himself in a world where he was never supposed to exist, his mother is determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. With an incisive wit and unflinching honesty, Noah weaves together a moving yet funny portrait of a boy making his way through a damaged world in a dangerous time.

Domingo Martinez lays bare his interior and exterior worlds as he struggles to make sense of the violent and the ugly, along with the beautiful and the loving. Partly a reflection on the culture of machismo and partly an exploration of the author's boyhood spent in his sister's hand-me-down clothes, this book delves into the enduring and complex bond between Martinez and his deeply flawed, but fiercely protective older brother. It features a cast of memorable characters, including his gun-hoarding, former farmhand Gramma and "The Mimi's," two of his older sisters who for a short, glorious time, manage to transform themselves from poor Latina adolescents into upper-class white girls. He provides a real glimpse into a society where children are traded like commerce, physical altercations routinely solve problems, drugs are rampant, sex is often crude, and people depend on the family witch doctor for advice. Charming, painful, and enlightening, it examines the traumas and pleasures of growing up in South Texas, and the often terrible consequences when two very different cultures collide on the banks of a dying river.

Emotionally raw and deeply reflective, Imani Perry issues an unflinching challenge to society to see Black children as deserving of humanity. She admits fear and frustration for her African American sons in a society that is increasingly racist and at times seems irredeemable. However, as a mother, feminist, writer, and intellectual, Perry offers an unfettered expression of love--finding beauty and possibility in life--and she exhorts her children and their peers to find the courage to chart their own paths and find steady footing and inspiration in Black tradition. Perry draws upon the ideas of figures such as James Baldwin, W. E. B. DuBois, Emily Dickinson, Toni Morrison, Ralph Waldo Emerson, and Ida B. Wells. She shares vulnerabilities and insight from her own life and from encounters in places as varied as the West Side of Chicago; Birmingham, Alabama; and New England prep schools.

Brandi Carlile takes readers through the events of her life that shaped her very raw art—from her start at a local singing competition where she performed Elton John’s “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over fifteen years and six studio albums, all while raising two children with her wife, Catherine Shepherd.

At 18, Charles Person was the youngest of the original Freedom Riders, key figures in the U.S. Civil Rights Movement who left Washington, D.C. by bus in 1961, headed for New Orleans. This purposeful mix of black and white, male and female activists--including future Congressman John Lewis, Congress of Racial Equality Director James Farmer, Reverend Benjamin Elton Cox, journalist and pacifist James Peck, and CORE field secretary Genevieve Hughes--set out to discover whether America would abide by a Supreme Court decision that ruled segregation unconstitutional in bus depots, waiting areas, restaurants, and restrooms nationwide.

With his now-legendary store on 125th Street in Harlem, Dapper Dan pioneered high-end streetwear in the 1980s, remixing classic luxury-brand logos into his own innovative, glamorous designs. But before he reinvented haute couture, he was a hungry boy with holes in his shoes, a teen who daringly gambled drug dealers out of their money, and a young man in a prison cell who found nourishment in books. In this remarkable memoir, he tells his full story for the first time. Decade after decade, Dapper Dan discovered creative ways to flourish in a country designed to privilege certain Americans over others.

Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic, and spiritual plane, culminating in a book that is as tender as it is brutal.

Earl Campbell was a force in American football, winning a state championship in high school, rushing his way to a Heisman trophy for the University of Texas, and earning MVP as he took the Houston Oilers to the brink of the Super Bowl. An exhilarating blend of biography and history, Earl Campbell chronicles the challenges and sacrifices one supremely gifted athlete faced in his journey to the Hall of Fame. The story begins in Tyler, Texas, and features his indomitable mother, a crusading judge, and a newly integrated high school, then moves to Austin, home of the University of Texas (infamously, the last all-white national champion in college football), where legendary coach Darrell Royal stakes his legacy on recruiting Campbell. Later, in booming, Luv-Ya-Blue Houston, Campbell reaches his peak with beloved coach Bum Phillips, who celebrates his star runner's bruising style even as it takes its toll on Campbell's body. Drawing on new interviews and research, Asher Price reveals how a naturally reticent kid from the country who never sought the spotlight struggled with complex issues of race and health.

In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting. Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyoncé's girl power anthems resonate so hard. It's what makes Michelle Obama an icon. Eloquent rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today.

When Valerie Jarrett interviewed a promising young lawyer named Michelle Robinson in July 1991, neither knew that it was the first step on a path that would end in the White House. Jarrett joined the White House team on January 20, 2009 as the Obamas' personal adviser and departed with the First Family on January 20, 2017. In Finding my Voice, she shares her optimistic perspective on the importance of leadership and the responsibilities of citizenship in the 21st century, inspiring readers to lift their own voices.

How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group's history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.

Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she's gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love. Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation--and to the hope that hovers in our most difficult questions.

LGBTQ advice columnist John Paul Brammer writes a "wise and charming" (David Sedaris) memoir-in-essays chronicling his journey from a queer, mixed-race kid in America's heartland to becoming the "Chicano Carrie Bradshaw" of his generation.

Negin Farsad is an Iranian-American-Muslim female stand-up comedian who believes she can change the world through jokes. In this candid and uproarious book, Farsad shares her personal experiences growing up as the "other" in an American culture that has no time for nuance. In fact, she longed to be black and/or Mexican at various points of her youth, you know, like normal kids. Right? RIGHT? Writing bluntly and hilariously about the elements of race we are often too politically correct to discuss, Farsad takes a long hard look at the iconography that still shapes our concepts of "black," "white," and "Muslim" today-and what it means when white culture defines the culture. Farsad asks the important questions like, What does it mean to have a hyphenated identity? How can we actually combat racism, stereotyping, and exclusion? Do Iranians get bunions at a higher rate than other ethnic groups? (She's asking for a friend.)

Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence--into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another--and to one another--as we fight to become ourselves. An award-winning poet, Jones has developed a style that's as beautiful as it is powerful--a voice that's by turns a river, a blues, and a nightscape set ablaze.

Austin Channing Brown's first encounter with a racialized America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and churches, Austin writes, "I had to learn what it means to love blackness," a journey that led to a lifetime spent navigating America's racial divide as a writer, speaker, and expert helping organizations practice genuine inclusion. In a time when nearly every institution (schools, churches, universities, businesses) claims to value diversity in its mission statement, Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice. Her stories bear witness to the complexity of America's social fabric--from Black Cleveland neighborhoods to private schools in the middle-class suburbs, from prison walls to the boardrooms at majority-white organizations.

In the tradition of towering biographies that tell us as much about America as they do about their subject, Ida: A Sword Among Lions is a sweeping narrative about a country and a crusader embroiled in the struggle against lynching: a practice that imperiled not only the lives of black men and women, but also a nation based on law and riven by race. At the center of the national drama is Ida B. Wells (1862-1931), born to slaves in Mississippi, who began her activist career by refusing to leave a first-class ladies' car on a Memphis railway and rose to lead the nation's first campaign against lynching. For Wells the key to the rise in violence was embedded in attitudes not only about black men but about women and sexuality as well. Her independent perspective and percussive personality gained her encomiums as a hero -- as well as aspersions on her character and threats of death. Exiled from the South by 1892, Wells subsequently took her campaign across the country and throughout the British Isles before she married and settled in Chicago, where she continued her activism as a journalist, suffragist, and independent candidate in the rough-and-tumble world of the Windy City's politics.

Brady-Davis reflects on a childhood of neglect, instability, and abandonment. She reveals her determination to dream through it and shares her profound journey as a trans woman now fully actualized, absolutely confident, and precious. She speaks to anyone who has ever tried to find their place in this world and imparts the wisdom that comes with surmounting odds and celebrating on the other side. A memoir, a love story, and an outreach for the marginalized, Precious's sojourn is a song of self-reliance and pride and an invitation to join in the chorus.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. First published in 1969.

Diane Guerrero, the television actress from the megahit Orange is the New Black and Jane the Virgin, was just fourteen years old on the day her parents were detained and deported while she was at school. Born in the U.S., Guerrero was able to remain in the country and continue her education, depending on the kindness of family friends who took her in and helped her build a life and a successful acting career for herself, without the support system of her family. In the Country We Love is a moving, heartbreaking story of one woman's extraordinary resilience in the face of the nightmarish struggles of undocumented residents in this country. There are more than 11 million undocumented immigrants living in the US, many of whom have citizen children, whose lives here are just as precarious, and whose stories haven't been told. Written with bestselling author Michelle Burford, this memoir is a tale of personal triumph that also casts a much-needed light on the fears that haunt the daily existence of families likes the author's and on a system that fails them over and over.

In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s. His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow. It is the continuously amusing, wise revelation of an American writer journeying around the often strange and always exciting world he loves.

Based on twenty years of research and thousands of interviews, this authoritative biography of performer Josephine Baker (1906-1975) provides a candid look at her tempestuous life. Born into poverty in St. Louis, the uninhibited chorus girl became the sensation of Europe and the last century's first black sex symbol. A heroine of the French Resistance in World War II, she entranced figures as diverse as de Gaulle, Tito, Castro, Princess Grace, two popes, and Martin Luther King, Jr. Yet Josephine was also, as one critic put it, "a monster who made Joan Crawford look like the Virgin Mary." Reconciling Josephine's many personas – Jazz-age icon, national hero of France, proponent of Civil Rights, mother of children from across the globe – Josephine: The Hungry Heart gives readers the inside story on a star unlike any other before or since.

Tyson has been blessed to grace the stage and screen for six decades. She has been the church girl who once rarely spoke a word; the teenager who sought solace in the verses of the old hymn for which this book is named. A daughter and mother, a sister, and a friend, she is also an observer of human nature and the dreamer of audacious dreams. Here, in her ninth decade, Tyson is a woman who has something meaningful to say.

Bryan Stevenson was a young lawyer when he founded the Equal Justice Initiative, a legal practice dedicated to defending those most desperate and in need: the poor, the wrongly condemned, and women and children trapped in the farthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man who was sentenced to die for a notorious murder he insisted he didn't commit. The case drew Bryan into a tangle of conspiracy, political machination, and legal brinksmanship--and transformed his understanding of mercy and justice forever. Just Mercy is at once an unforgettable account of an idealistic, gifted young lawyer's coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice.

The NBA has never seen a player quite like Kevin Durant. Larry Bird wasn't as quick, Magic Johnson didn't have such a range, and Michael Jordan wasn't seven feet tall. Durant handles the ball like Allen Iverson, shoots like Dirk Nowitzki, and has the scoring instincts of Kobe Bryant. He does it in a body that's about as big as Hakeem Olajuwon. But ultimately, Kevin Durant is like no one but himself.

Lorene Cary's grandmother moves in, and everything changes: day-to-day life, family relationships, the Nana she knew--even their shared past. From cherished memories of weekends she spent as a child with her indulgent Nana to the reality of the year she spent "ladysitting" her now frail grandmother, Lorene Cary journeys through stories of their time together and five generations of their African American family. Brilliantly weaving a narrative of her complicated yet transformative relationship with Nana--a fierce, stubborn, and independent woman, who managed a business until she was 100--Cary looks at Nana's impulse to control people and fate, from the early death of her mother and oppression in the Jim Crow South to living on her own in her New Jersey home.

When Ernie Banks passed away in 2015, he was regarded as one of the most beloved men in baseball history. Making his start as a shortstop with the Kansas City Monarchs in the Negro Leagues as a teenager, Banks went on to become the first African American to play for the Chicago Cubs. Known affectionately as "Mr. Cub," he brought exceptional talent and boundless optimism to the game of baseball, earning him a Presidential Medal of Freedom and a place in the Hall of Fame.

Common believes that the phrase "let love have the last word" is not just a declaration; it is a statement of purpose, a daily promise. Love is the most powerful force on the planet and ultimately, the way you love determines who you are and how you experience life. Touching on God, self-love, partners, children, family, and community, Common explores the core tenets of love to help others understand what it means to receive and, most important, to give love. He moves from the personal--writing about his daughter, to whom he wants to be a better father--to the universal, where he observes that our society has become fractured under issues of race and politics. He knows there's no quick remedy for all of the hurt in the world, but love--for yourself and for others--is where the healing begins.

Based on the viral Instagram challenge that captivated participants worldwide, Me and White Supremacy takes readers on a 28-day journey, complete with journal prompts, to do the necessary and vital work that can ultimately lead to improving race relations. Updated and expanded from the original workbook (downloaded by nearly 100,000 people), this critical text helps you take the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources, giving you the language to understand racism, and to dismantle your own biases, whether you are using the book on your own, with a book club, or looking to start family activism in your own home.

Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

The inspiring story of activist and poet Ian Manuel, who at the age of fourteen was sentenced to life in prison. He survived eighteen years in solitary confinement-through his own determination and dedication to art-until he was freed as part of an incredible crusade by the Equal Justice Initiative.

At once incendiary and icy, mischievous and provocative, celebratory and elegiac--here is a deeply felt meditation on race, sex, and American culture through the prism of the author's rarefied upbringing and education among a black elite concerned with distancing itself from whites and the black generality while tirelessly measuring itself against both. Born in upper-crust black Chicago--her father was for years head of pediatrics at Provident, at the time the nation's oldest black hospital; her mother was a socialite--Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Reckoning with the strictures and demands of Negroland at crucial historical moments--the civil rights movement, the dawn of feminism, the fallacy of postracial America--Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions.

When Darnell Moore was fourteen, three boys from his neighborhood tried to set him on fire. They cornered him while he was walking home from school, harassed him because they thought he was gay, and poured a jug of gasoline on him. He escaped, but just barely. It wasn't the last time he would face death. Three decades later, Moore is an award-winning writer, a leading Black Lives Matter activist, and an advocate for justice and liberation. In No Ashes in the Fire, he shares the journey taken by that scared, bullied teenager who not only survived, but found his calling.

Notes from a Black Woman's Diary spans genres to reveal the breadth and depth of the late author's talent. The compilation is anchored by Collins's short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she's agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins's raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page.

By the time he was twenty-seven years old, Kwame Onwuachi had opened--and closed--one of the most talked about restaurants in America. He had launched his own catering company with twenty thousand dollars that he made from selling candy on the subway, yet he'd been told he would never make it on television because his cooking wasn't "Southern" enough. In this inspiring memoir about the intersection of race, fame, and food, he shares the remarkable story of his culinary coming-of-age.

At the age of 12, Sharmila Sen emigrated from India to the U.S. The year was 1982, and everywhere she turned, she was asked to self-report her race-on INS forms, at the doctor's office, in middle school. Never identifying with a race in the India of her childhood, she rejects her new "not quite" designation-not quite white, not quite black, not quite Asian-and spends much of her life attempting to blend into American whiteness. But after her teen years trying to assimilate -- watching shows like General Hospital and The Jeffersons, dancing to Duran Duran and Prince, and perfecting the art of Jell-O no-bake desserts -- she is forced to reckon with the hard questions: What does it mean to be white, why does whiteness retain the magic cloak of invisibility while other colors are made hypervisible, and how much does whiteness figure into Americanness?

Yang's life provides a unique lens through which to better understand the lasting impact of the wars in Southeast Asia and the diverse journeys that migrants from Asia made over the last two centuries. Prisoner of Wars makes visible an aspect of the collateral damage that has been left out of dominant Vietnam War narratives.

Years after his tragic death, Trayvon Martin's name is still evoked every day. He has become a symbol of social justice activism, as has his hauntingly familiar image: the photo of a child still in the process of becoming a young man, wearing a hoodie and gazing silently at the camera. But who was Trayvon Martin, before he became, in death, an icon? And how did one black child's death on a dark, rainy street in a small Florida town become the match that lit a civil rights crusade?

Sacred Ground opens in 1919, during the summer of the Chicago race riot, when infant Black and his family arrive in Chicago from Birmingham, Alabama, as part of the first Great Migration. He recounts in vivid detail his childhood and education in the Black Metropolis of Bronzeville and South Side neighborhoods that make up his "sacred ground." A labor organizer, educator, and activist, Black captures fascinating anecdotes and vignettes of meeting with famous figures of the times, such as Duke Ellington and Martin Luther King Jr., but also with unheralded people whose lives convey lessons about striving, uplift, and personal integrity. Rounding out this memoir, Black reflects on the legacy of his friend and mentee, Barack Obama, as well as on his public works and enduring relationships with students, community workers, and some very influential figures in Chicago and the world.

For anyone who has ever felt like they don't belong, Sigh, Gone shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature. In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents.

A gripping, all-access biography of Joe Frazier, whose rivalry with Muhammad Ali riveted boxing fans and whose legacy as a figure in American sports and society endures History will remember the rivalry of Joe Frazier and Muhammad Ali as one for the ages, a trilogy of extraordinary fights that transcended the world of sports and crossed into a sociocultural drama that divided the country. Joe Frazier was a much more complex figure than just his rivalry with Ali would suggest. In this riveting and nuanced portrayal, acclaimed sports writer Mark Kram, Jr. unlinks Frazier from Ali and for the first time gives a full-bodied accounting of Frazier's life, a journey that began as the youngest of thirteen children packed in small farm house, encountering the bigotry and oppression of the Jim Crow South, and continued with his voyage north at age fifteen to develop as a fighter in Philadelphia.

From the New York Times bestselling author of A Long Petal of the Sea comes “a bold exploration of womanhood, feminism, parenting, aging, love and more” (Associated Press).

More than anyone, Rakim has changed the way MCs rhyme. Calm on the mic, his words combine in a frenzy of sound, using complicated patterns based on multisyllabic rhymes and internal rhythms. Rakim can tell a story about a down-on-his-luck man looking for a job and turn it into an epic tale and an unforgettable rhyme. He is not just a great songwriter--he's a great modern writer. Part memoir, part writing guide, Sweat the Technique offers insight into how Rakim thinks about words, music, writing, and rhyming as it teaches writers of all levels how to hone their craft.

An urgent, no-holds-barred tale of gang life, guerrilla warfare, intergenerational trauma, and interconnected violence between the United States and El Salvador, Roberto Lovato's memoir excavates family history and reveals the intimate stories beneath headlines about gang violence and mass Central American migration, one of the most important, yet least-understood humanitarian crises of our time--and one in which the perspectives of Central Americans in the United States have been silenced and forgotten.

In Up from Slavery, Booker T. Washington recounts the story of his life, from slave to educator. The early sections deal with his upbringing as a slave and his efforts to get an education. Washington details his transition from student to teacher, and outlines his own development as an educator and founder of the Tuskegee Institute in Alabama. In the final chapters of Up from Slavery, Washington describes his career as a public speaker and civil rights activist. First published in 1900.

Between 1916 and 1970, six million black Americans left their rural homes in the South for jobs in cities in the North, West, and Midwest in a movement known as The Great Migration. But while this event transformed the complexion of America and provided black people with new economic opportunities, it also disconnected them from their roots, their land, and their sense of identity, argues Morgan Jerkins.

In 2013, when Trayvon Martin's killer went free, Patrisse's outrage led her to co-found Black Lives Matter with Alicia Garza and Opal Tometi. Condemned as terrorists and as a threat to America, these loving women founded a hashtag that birthed the movement to demand accountability from the authorities who continually turn a blind eye to the injustices inflicted upon people of Black and Brown skin.

A Chinese American woman tells of the Chinese myths, family stories and events of her California childhood that have shaped her identity.

A brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East. In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the Yellow House would become Ivory Mae's thirteenth and most unruly child.

Phoebe Robinson is a stand-up comic, which means that comedic fodder runs through her everyday life. And as a black woman in America, she asserts, sometimes you need to have a sense of humor to deal with the nonsense you are handed every day. And Robinson has experienced her fair share over the years, not lest the people who ask her whether they can touch her hair. All. The. Time. Now, she's ready to take these topics to the page. As personal as it is political, ,i>You Can't Touch My Hair is an utterly modern essay collection: one that examines our cultural climate and skewers our biases.

"ZAMI is a fast-moving chronicle. From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her...Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page." --Off Our Backs

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

America Ferrera has always felt wholly American, and yet, her identity is inextricably linked to her parents' homeland and Honduran culture. Speaking Spanish at home, having Saturday-morning-salsa-dance-parties in the kitchen, and eating tamales alongside apple pie at Christmas never seemed at odds with her American identity. Still, she yearned to see that identity reflected in the larger American narrative. Now, in American Like Me, America invites thirty-one of her friends, peers, and heroes to share their stories about life between cultures.

From the much-acclaimed novelist and essayist, a beautifully rendered, poignant collection of personal essays, chronicling immigrant and Iranian-American life in our contemporary moment. Novelist Porochista Khakpour's family moved to Los Angeles after fleeing the Iranian Revolution, giving up their successes only to be greeted by an alienating culture.

Confronting domestic and global white supremacy, this provocative text documents and demonstrates what has been done and what needs doing nationally and internationally to realize racial justice and equality. It deserves reading and discussion by anyone interested in social transformation.

"Perfect for fans of Fresh Off the Boat's situational humor and Jane the Virgin's celebration of Latinidad, [this book] is a collection of introspective memoiristic essays by social media influencer and viral phenomenon LeJuan James about growing up Hispanic in the US."

In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the organization's one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life.

In these profound, intimate essays, Baden has found a space where she can work out thoughts and feelings she feels unsafe saying out loud. As she processes the initial ideas more fully, her essays evolve from personal stories to fully-realized communiques of a generation of Black women who are finding a new sense of both belonging and ostracism in private, work, and public life.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by the New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature.

Jesmyn Ward takes James Baldwin's 1963 examination of race in America,"The Fire Next Time," as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time. Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: "You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon." Ward knows that Baldwin's words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. In the fifty-odd years since Baldwin s essay was published, entire generations "have" dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a post-racial society is an inaccurate and harmful reflection of a truth the country must confront. Baldwin's fire next time is now upon us, and it needs to be talked about.

LGBTQ advice columnist John Paul Brammer writes a "wise and charming" (David Sedaris) memoir-in-essays chronicling his journey from a queer, mixed-race kid in America's heartland to becoming the "Chicano Carrie Bradshaw" of his generation.

Original essays by Toni Morrison, Angela Y. Davis, Cornel West, and others on Black Americans and politics in America today.

This celebration of Black resistance, from protests to art to sermons to joy, offers a blueprint for the fight for freedom and justice -- and ideas for how each of us can contribute Many of us are facing unprecedented attacks on our democracy, our privacy, and our hard-won civil rights. If you're Black in the US, this is not new. As Colorlines editors Akiba Solomon and Kenrya Rankin show, Black Americans subvert and resist life-threatening forces as a matter of course. In these pages, leading organizers, artists, journalists, comedians, and filmmakers offer wisdom on how they fight White supremacy. It's a must-read for anyone new to resistance work, and for the next generation of leaders building a better future.

From rediscovering an ancestral village in China to experiencing the realities of American life as a Nigerian, the search for belonging crosses borders and generations. Selected from the archives of Catapult's magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as twenty writers share provocative personal stories of existing between languages and cultures.

Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative--and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world. Binding these essays together is Hong's theory of "minor feelings." As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality--when you believe the lies you're told about your own racial identity. Minor feelings are not small, they're dissonant--and in their tension Hong finds the key to the questions that haunt her. With sly humor and a poet's searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche--and of a writer's search to both uncover and speak the truth.

Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, "coming out," and the erotic.

First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity.

Her name conjures more than music, it has come to be synonymous with beauty, glamour, power, creativity, love, and romance. Her performances are legendary, her album releases events. She is not even forty but she has already rewritten the Beyoncé playbook more than half a dozen times. She is consistently provocative, political and surprising. As a solo artist, she has sold more than 100 million records. She has won 22 Grammys and is the most-nominated woman artist in the history ofGrammy awards. Her 2018 performance at Coachella wowed the world. The New York Times wrote: "There's not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year or any year soon." Artist, business woman, mother, daughter, sister, wife, black feminist, Queen Bey is endlessly fascinating. Queen Bey features a diverse range of voices, from star academics to outspoken cultural critics to Hollywood and music stars.

The Queer Bible is a powerful and intimate essay collection of gratitude, and an essential, enduring love letter to the queer community.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature, with a foreword by Mahogany L. Browne. In this collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. The groundbreaking feminist's timely collection of nonfiction writings on race, gender, and LGBTQ issues is now for the first time in Penguin Classics as part of the Penguin Vitae series, with a foreword by poet Mahogany L. Browne.

"The problem of the twentieth century is the problem of the color line." Thus speaks W.E.B. Du Bois in The Souls Of Black Folk, one of the most prophetic and influental works in American literature. In this eloquent collection of essays, first published in 1903, Du Bois dares as no one has before to describe the magnitude of American racism and demand an end to it. He draws on his own life for illustration, from his early experiences teaching in the hills of Tennessee to the death of his infant son and his historic break with the conciliatory position of Booker T. Washington. Far ahead of its time, The Souls Of Black Folk both anticipated and inspired much of the black consciousness and activism of the 1960's and is a classic in the literature of civil rights. The elegance of DuBois's prose and the passion of his message are as crucial today as they were upon the book's first publication.

Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection--a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades. The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison's inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "black matter(s)," and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself.

In these provocative, powerful essays acclaimed writer/journalist Jeff Chang (Can't Stop Won't Stop, Who We Be) takes an incisive and wide-ranging look at the recent tragedies and widespread protests that have shaken the country. Through deep reporting with key activists and thinkers, passionately personal writing, and distinguished cultural criticism, We Gon' Be Alright links #BlackLivesMatter to #OscarsSoWhite, Ferguson to Washington D.C., the Great Migration to resurgent nativism. Chang explores the rise and fall of the idea of "diversity," the roots of student protest, changing ideas about Asian Americanness, and the impact of a century of racial separation in housing. He argues that resegregation is the unexamined condition of our time, the undoing of which is key to moving the nation forward to racial justice and cultural equity.

In this timely anthology, Glory Edim brings together original essays by some of our best black women writers to shine a light on how important it is that we all--regardless of gender, race, religion, or ability--have the opportunity to find ourselves in literature. Contributors include Jesmyn Ward (Sing, Unburied, Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), and Barbara Smith (Home Girls: A Black Feminist Anthology). Whether it's learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, the subjects of each essay remind us why we turn to books in times of both struggle and relaxation.

A provocative and humorous memoir-in-essays that explores the ever-shifting definitions of what it means to be Black (and male) in America. For Damon Young, existing while Black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as "How should I react here, as a professional black person?" and "Will this white person's potato salad kill me?" are forever relevant.

When Betty Friedan published The Feminine Mystique in 1963, the book exploded into women's consciousness. Before the decade was out, what had begun as a campaign for women's civil rights transformed into a diverse and revolutionary movement for freedom and social justice that challenged many aspects of everyday life long accepted as fixed: work, birth control and abortion, childcare and housework, gender, class, and race, art and literature, sexuality and identity, rape and domestic violence, sexual harassment, pornography, and more. This was the women's liberation movement, and writing--powerful, personal, and prophetic--was its beating heart. Fifty years on, in the age of #MeToo and Black Lives Matter, this visionary and radical writing is as relevant and urgently needed as ever, ready to inspire a new generation of feminists.

In the tradition of W. E. B. Du Bois, Cornel West, and other public intellectuals who confronted the "color line" of the twentieth century, journalist, law professor, and activist Frank H. Wu offers a unique perspective on how changing ideas of racial identity will affect race relations in the new century. Often provocative and always thoughtful, this book addresses some of the most controversial contemporary issues: discrimination, immigration, diversity, globalization, and the mixed-race movement, introducing the example of Asian Americans to shed new light on the current debates. Combining personal anecdotes, social-science research, legal cases, history, and original journalistic reporting, Wu discusses damaging Asian American stereotypes such as "the model minority" and "the perpetual foreigner." By offering new ways of thinking about race in American society, Wu's work challenges us to make good on our great democratic experiment.

Taking the measure of the tradition in a single indispensable volume, African American Poetry: 250 Years of Struggle and Song sets a new standard for a genuinely deep engagement with Black poetry and its essential expression of American genius.

“Pretty women wonder where my secret lies. / I'm not cute or built to suit a fashion model's size / But when I start to tell them, / They think I'm telling lies. / I say, / It's in the reach of my arms, / The span of my hips, / The stride of my step, / The curl of my lips. / I'm a woman / Phenomenally. / Phenomenal woman, / That's me.” Thus begins "Phenomenal Woman," just one of the beloved poems collected here in Maya Angelou's third book of verse. These poems are powerful, distinctive, and fresh--and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it.

This powerful poetry collection seeks to map the emotional and spiritual territory of diaspora, violence, abuse, and exile. Kai Cheng incorporates autobiographical details from her own childhood and adult life with the rhythms of the oral storytelling tradition and fairytale motifs, poignantly depicting the plight of trans women of color.

Beneath the Spanish tracks the way that languages intersect and inform each other, and how language and music shapes experience. Moving across landscapes from Puerto Rico to Manhattan to Morocco, these poems are one man's history and a song that begs to be performed.

A literary coming-of-age poetry collection, an ode to the places we call home, and a piercingly intimate deconstruction of daughterhood, Black Girl, Call Home is a love letter to the wandering black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

Rich continues: "Refusing to be circumscribed by any simple identity, Audre Lorde writes as a Black woman, a mother, a daughter, a Lesbian, a feminist, a visionary; poems of elemental wildness and healing, nightmare and lucidity. Her rhythms and accents have the timelessness of a poetry which extends beyond white Western politics, beyond the anger and wisdom of Black America, beyond the North American earth, to Abomey and the Dahomeyan Amazons. These are poems nourished in an oral tradition, which also blaze and pulse on the page, beneath the reader's eye."

Poet and activist McKibbens, a slam poetry veteran, exorcises painful memories and traumas in her third collection. Declarative and direct, McKibbens confronts difficult experiences head-on: "Obedience in the wrong house is a kind of plague,// survivor's guilt a sleight of hand." The poems feature razor-sharp imagery, and McKibbens exhibits an ear attuned to sonic texture.

Lambda Award-winner Leah Lakshmi Piepzna-Samarasinha sings a queer disabled femme-of-colour love song filled with hard femme poetics and disability justice.

In a landscape at once the brutal American South as it is the brutal mind, Boy with Thorn interrogates the genesis of all poetic creation--the imagination itself, questioning what role it plays in both our fascinations with and repulsion from a national history of racial and sexual violence.

Just as blues influenced the Harlem Renaissance and jazz influenced the Black Arts Movement, hip-hop's musical and cultural force has shaped the aesthetics of and given rise to a new generation of American poets. Edited by poets Kevin Coval, Nate Marshall, and Quraysh Ali Lansana, the Breakbeat Poets: New American Poetry in the Age of Hip-Hop is the first anthology of poetry from the hip-hop generation. The Breakbeat Poets are multigenerational and multiracial, employing traditional and wild style poetics to narrate a new landscape.

Bright Dead Things examines the chaos that is life, the dangerous thrill of living in a world you know you have to leave one day, and the search to find something that is ultimately "disorderly, and marvelous, and ours." A book of bravado and introspection, of 21st century feminist swagger and harrowing terror and loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the various ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love.

Divided into "Home Recordings" and "Field Recordings," Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times. From "History"--a song of Kansas high-school fixture Mr. W., who gave his students "the Sixties / minus Malcolm X, or Watts, / barely a march on Washington"--to "Money Road," a sobering pilgrimage to the site of Emmett Till's lynching, the poems engage place and the past and their intertwined power.

Claudia Rankine's bold book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

Rita Dove's Collected Poems 1974-2004 showcases the wide-ranging diversity that earned her a Pulitzer Prize, the position of U.S. poet laureate, a National Humanities Medal, and a National Medal of Art. With the “precise, singing lines” the Washington Post praised her for, Dove “has created fresh configurations of the traditional and the experimental."

In Hayden's work the actualities of history and culture became the launching places for flights of imagination and intelligence. His voice--characterized by musical diction and an exquisite feeling for the formality of pattern--is a seminal one in American life and literature.

A comprehensive volume of writings by a seminal figure in African American literature and culture. "Lift Every Voice and Sing" is James Weldon Johnson's most famous lyric, now embraced as the Negro National Anthem. In celebration, this Penguin original presents all the poems from Johnson's published works - Fifty Years and Other Poems (1917), Gods Trombones (1927), and Saint Peter Relates an Incident of the Resurrection Day (1935) - along with a number of previously unpublished poems.

Field Notes for the Self is a series of dark meditations: spiritual exercises in which the poem becomes a forensics of the soul. The poems converse with Patrick Lane, John Thompson, and Charles Wright, but their closest cousins may be Arvo Pärt's tintinnabulations--overlapping structures in which notes or images are rung slowly and repeatedly like bells.

The poems in Nikky Finney's breathtaking new collection sustain a sensitive and intense dialogue with emblematic figures and events in African American life: from civil rights matriarch Rosa Parks to former secretary of state Condoleezza Rice, from a brazen girl strung out on lightning to a terrified woman abandoned on a rooftop during Hurricane Katrina.

Poems from Pulitzer finalist Linda Hogan explore new and old ways of experiencing the vagaries of the body and existing in harmony with earth's living beings.

In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family--blood and chosen--arrives with just the right food and some redemption.

Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian émigré, and Louis Ginsberg, lyric poet and schoolteacher, in Paterson, New Jersey. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote Kaddish 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom Howl is addressed, is a intuitive Bronx dadaist and prose-poet."

How to Carry Water: Selected Poems of Lucille Clifton celebrates both familiar and lesser-known works by one of America's most beloved poets, including 10 newly discovered poems that have never been collected. These poems celebrating black womanhood and resilience shimmer with intellect, insight, humor, and joy, all in Clifton's characteristic style--a voice that the late Toni Morrison described as "seductive with the simplicity of an atom, which is to say highly complex, explosive underneath an apparent quietude."

The diverse poems in this collection form a mosaic of seemingly varied topics: the Pulse Nightclub massacre; an unexpected encounter on a visit to Cuba; the forced exile of 8,500 Navajos in 1868; the arrival of a young Chinese woman at Angel Island in 1938; the incarceration of a gifted writer; and the poet's abiding love for his partner, who he is finally allowed to wed. But despite each poem's unique subject matter or occasion, all are fundamentally asking one overwhelming question: how to love this country?

Powerful and diverse, this unique collection of African American poetry spans three centuries of writing in America. Poets bare their souls, speak their minds, trace their roots, and proclaim their dreams in the thirty-six poems compiled here. From lamentations to celebrations, the poems of Langston Hughes, Countee Cullen, W.E.B. Du Bois, and Gwendolyn Brooks, among others, reveal the ironies of black America, juxtaposing themes of resistance and reconciliation, hope and despair. Eminent scholar Catherine Clinton further illuminates these poems through brief biographies of the poets and notes on the text. The result is an authoritative introduction to twenty-five of America's best poets. Prize-winning artist Stephen Alcorn lends his own artistic vision and passion to the collection, providing stunning visual interpretations of each poem. Together they create a stirring tribute to these great poets.

"This imaginative, soulful debut poetry collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the man facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people's histories with her own understanding of identity, place, and belonging."

One of the most magnetic and esteemed poets in today's literary landscape, Patricia Smith fearlessly confronts the tyranny against the black male body and the tenacious grief of mothers in her compelling new collection, Incendiary Art. She writes an exhaustive lament for mothers of the "dark magicians," and revisits the devastating murder of Emmett Till. These dynamic sequences serve as a backdrop for present-day racial calamities and calls for resistance. Smith embraces elaborate and eloquent language-- " her gorgeous fallen son a horrid hidden / rot. Her tiny hand starts crushing roses--one by one / by one she wrecks the casket's spray. It's how she / mourns--a mother, still, despite the roar of thorns" -- as she sharpens her unerring focus on incidents of national mayhem and mourning. Smith envisions, reenvisions, and ultimately reinvents the role of witness with an incendiary fusion of forms, including prose poems, ghazals, sestinas, and sonnets. With poems impossible to turn away from, one of America's most electrifying writers reveals what is frightening, and what is revelatory, about history.

IRL is a sweaty, summertime poem composed like a long text message, rooted in the epic tradition of A.R. Ammons, ancient Kumeyaay Bird Songs, and Beyonce's visual albums. It follows Teebs, a reservation-born, queer NDN weirdo, trying to figure out his impulses/desires/history in the midst of Brooklyn rooftops, privacy in the age of the Internet, street harassment, suicide, boys boys boys, literature, colonialism, religion, leaving one's 20s, and a love/hate relationship with English.

Winner of the 1994 American Book Award and a Los Angeles Times Book Award for Poetry finalist. "Recommended for classroom and library use, this book will add a fresh dimension to a growing body of literature that remembers, humanizes, and shares the Japanese-American internment experience for new generations."--Choice

Barbara Jane Reyes answers the questions of Filipino American girls and young women of color with bold affirmations of hard-won empathy, fierce intelligence, and a fine-tuned B.S. detector. The Brown Girl of these poems is fed up with being shushed, with being constantly told how foreign and unattractive and unwanted she is. She's flipping tables and throwing chairs. She's raising her voice. She's keeping a sharp focus on the violences committed against her every day, and she's writing through the depths of her "otherness" to find beauty and even grace amidst her rage. Simultaneously looking into the mirror and out into the world, Reyes exposes the sensitive nerve-endings of life under patriarchy as a visible immigrant woman of color as she reaches towards her unflinching center.

Layering joy and urgent defiance--against physical and cultural erasure, against white supremacy whether intangible or graven in stone--Trethewey's work gives pedestal and witness to unsung icons. Monument, Trethewey's first retrospective, draws together verse that delineates the stories of working class African American women, a mixed-race prostitute, one of the first black Civil War regiments, mestizo and mulatto figures in Casta paintings, Gulf coast victims of Katrina. Through the collection, inlaid and inextricable, winds the poet's own family history of trauma and loss, resilience and love.

Not Here is a flight plan for escape and a map for navigating home; a queer Vietnamese American body in confrontation with whiteness, trauma, family, and nostalgia; and a big beating heart of a book. Nguyen's poems ache with loneliness and desire and the giddy terrors of allowing yourself to hope for love, and revel in moments of connection achieved.

After gaining her sobriety and coming out as queer, Lightfoot returned to poetry at the age of sixty-five, earning her MFA at age seventy. In a debut collection of poems that favor a narrative style but also experiment successfully with poetic forms, Lightfoot writes in a voice that is by turns wistful, comedic, and grave.

Included in this extraordinary volume are the poems of 43 of America's most talented African American wordsmiths, including Pulitzer Prize-winning poets Rita Dove, Natasha Tretheway, Yusef Komunyakaa, and Tracy K. Smith, as well as the work of other luminaries such as Elizabeth Alexander, Ishmael Reed, and Sonia Sanchez. Included are poems such as "No Wound of Exit” by Patricia Smith, “We Are Not Responsible” by Harryette Mullen, and “Poem for My Father” by Quincy Troupe. Each is accompanied by a photograph of the poet along with a first-person biography. The anthology also contains personal essays on race such as “The Talk” by Jeannine Amber and works by Harry Belafonte, Amiri Baraka, and The Reverend Dr. William Barber II, architect of the Moral Mondays movement, as well as images and iconic political posters of the Black Lives Matter movement, Malcolm X, and the Black Panther Party. Taken together, Of Poetry and Protest gives voice to the current conversation about race in America while also providing historical and cultural context. It serves as an excellent introduction to African American poetry and is a must-have for every reader committed to social justice and racial harmony.

Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages--bodies of language, land, rivers, suffering brothers, enemies, and lovers--be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: "Let me call my anxiety, desire, then. / Let me call it, a garden." In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic.

In this collection of essays and poems, lightly sprinkled with elegant drawings, Hogan draws on many Native nations' ancient stories and spiritual traditions to show us that the soul exists in those delicate places where the natural world extends into human consciousness-in the mist of morning, the grass that grew a little through the night, the first warmth of this morning's sunlight. Altogether, this is a reverential reminder for all of us to witness and appreciate the radiant lives of animals.

Tupac Shakur's most intimate and honest thoughts were uncovered only after his death with the instant classic The Rose That Grew from Concrete. His talent was unbounded -- a raw force that commanded attention and respect. His death was tragic -- a violent homage to the power of his voice. His legacy is indomitable -- as vibrant and alive today as it has ever been. For the first time in paperback, this collection of deeply personal poetry is a mirror into the legendary artist's enigmatic world and its many contradictions. Written in his own hand from the time he was nineteen, these seventy-two poems embrace his spirit, his energy -- and his ultimate message of hope.

Selected Poems is the classic volume by the distinguished and celebrated poet Gwendolyn Brooks, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world.

With the publication of his first book of poems, the Weary Blues, in 1926, Langston Hughes electrified readers and launched a renaissance in black writing in America. The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who "rushed the boots of Washington"; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in "the raffle of night." They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture. They spanned the range from the lyric to the polemic, ringing out "wonder and pain and terror-- and the marrow of the bone of life." The poems in this collection were chosen by Hughes himself shortly before his death in 1967 and represent work from his entire career, including "The Negro Speaks of Rivers," "The Weary Blues," "Still Here," "Song for a Dark Girl," "Montage of a Dream Deferred," and "Refugee in America.” It gives us a poet of extraordinary range, directness, and stylistic virtuosity.

When Nikki Giovanni's poems first emerged from the Black Rights Movement in the late 1960s, she immediately took a place among the most celebrated and controversial poets of the era. Finally, here is the first compilation of Nikki Giovanni's poetry. It is the testimony of a life's work from one of the commanding voices to grace America's political and poetic landscape at the end of the twentieth century.

Finalist for the 2018 Paterson Poetry Prize Christine Kitano's second poetry collection elicits a sense of hunger--an intense longing for home and an ache for human connection. Channeling both real and imagined immigration experiences of her own family--her grandmothers, who fled Korea and Japan; and her father, a Japanese American who was incarcerated during WWII--Kitano's ambitious poetry speaks for those who have been historically silenced and displaced.

Alberto Ríos explains the world not through reason but magic. These poems--set in a town that straddles Mexico and Arizona--are lyric adventures, crossing two and three boundaries as easily as one, between cultures, between languages, between senses. Drawing upon fable, parable, and family legend, Ríos utilizes the intense and supple imagination of childhood to find and preserve history beyond facts: plastic lemons turning into baseballs, a grandmother's long hair reaching up to save her life, the painted faith jumpers leaping to the earth and crowd below. This is magical realism at its shimmering best.

"The poems in The Sunflower Cast A Spell To Save Us From The Void read like dispatches from the dream world, with Jackie Wang acting as our trusted comrade reporting across time and space. By sharing her personal index of dreams with its scenes of solidarity and resilience, interpersonal conflict and outlaw jouissance, Wang embodies historical trauma and communal memory." (Publishers Weekly)

What elevates 'teaching my mother how to give birth', what gives the poems their disturbing brilliance, is Warsan Shire's ability to give simple, beautiful eloquence to the veiled world where sensuality lives in the dominant narrative of Islam; reclaiming the more nuanced truths of earlier times - as in Tayeb Salih's work - and translating to the realm of lyric the work of the likes of Nawal El Saadawi. As Rumi said, "Love will find its way through all languages on its own"; in 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese."

What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex--a combination of the sonnet, the ghazal, and the blues--is testament to his formal skill.

The word tortillera means lesbian in Español. The moniker is familiar to most Spanish speaking cultures, but especially particular to the Cuban experience. In most Cuban-American households to be called a tortillera (whether one is one or not) is the gravest of insults, the basest of adjectives, a cat call that whips through the air like a lash whose only intention is to wound, to scar. Many a first-generation, Cubanita (the ones who are into other girls, anyway) has suffered, denied, wailed over the loaded term, but in Caridad Moro-Gronlier's debut collection, Tortillera, she not only applies the term to herself, she owns it, drapes it over her shoulders and heralds her truth through candid, unflinching poems that address the queer experience of coming out while Cuban.

Around the void left by the murder of Medgar Evers in 1963, the poems in this collection speak, unleashing the strong emotions both before and after the moment of assassination. Poems take on the voices of Evers's widow, Myrlie; his brother, Charles; his assassin, Byron De La Beckwith; and each of De La Beckwith's two wives. Except for the book's title,"Turn me loose," which were his final words, Evers remains in this collection silent. Yet the poems accumulate facets of the love and hate with which others saw this man, unghosting him in a way that only imagination makes possible.

Lee draws from disparate sources, including the Old Testament, the Dao De Jing, and the music of the Wu Tang Clan. While the ostensive subjects of these layered, impassioned poems are wide-ranging, their driving engine is a burning need to understand our collective human mission.

In this ferocious and tender debut, Chen Chen investigates inherited forms of love and family--the strained relationship between a mother and son, the cost of necessary goodbyes--all from Asian American, immigrant, and queer perspectives. Holding all accountable, this collection embraces the loss, grief, and joy that come with charting one's own path in identity, life, and love.

This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize-winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections.

Darkroom: A Memoir in Black and White is an arresting and moving personal story about childhood, race, and identity in the American South, rendered in stunning illustrations by the author, Lila Quintero Weaver. In 1961, when Lila was five, she and her family emigrated from Buenos Aires, Argentina, to Marion, Alabama, in the heart of Alabama's Black Belt.

The Gwan Anthology is a collection of creator-owned short stories, centered around themes of foreign lands, the immigrant experience and cultural fusion.

Hot Comb offers a poignant glimpse into Black women's lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story "Hot Comb" is about a young girl's first perm - a doomed ploy to look cool and to stop seeming "too white" in the all-black neighborhood her family has just moved to.

A collection of lively autobiographical comics guiding the reader through an understanding of queerness and what it means to one woman of color. In this delightfully compelling full-color graphic memoir, the author shares her process of undoing the effects of a patriarchal, colonial society on her self-image, her sexuality, and her concept of freedom.

When a black writer is found dead at a scandalous interracial party in 1920s' New York, Harlem's cub reporter Zane Pinchback is the only one determined to solve the murder. Zane must go 'Incognegro' for the first time, using his light appearance to pass as a white man to find the true killer, in this prequel miniseries to the critically acclaimed Vertigo graphic novel. A cryptic manuscript his only clue, and a beautiful woman the murder's only witness, Zane find himself on the hunt through the dark, dangerous streets of Harlem in search of justice.

When a small town beat cop comes home to bury his murdered father-the revered Philadelphia detective James Sangster Sr. he begins to unravel a mystery that leads him down a path of horrors and shakes his beliefs to their core. The city that was once the symbol of liberty and freedom has fallen prey to corruption, poverty, unemployment, brutality, and vampires.

A fourth volume of Maggie stories includes "Whoa, Nellie!," in which Maggie is introduced to the world of pro-wrestling, and "Bay of Threes," in which the full back story of Maggie's bombshell friend Beatriz "Penny Century" Garcia is revealed.

In the heat of June in 1943, a wave of destructive and deadly civil unrest took place in the streets of Detroit. The city was under the pressures of both wartime industrial production and the nascent civil rights movement, setting the stage for massive turmoil and racial violence. Thirty-four people were killed, most of whom were Black, and over half of these were killed by police. Two thousand people were arrested, and over seven hundred sustained injuries requiring treatment at local hospitals. Property damage was estimated to be nearly $2 million. With Run Home If You Don't Want to Be Killed, Rachel Marie-Crane Williams delivers a graphic retelling of the racism and tension leading up to the violence of those summer days.

This semi-autobiographical tale is set in 1967. A white family from a notoriously racist neighborhood in the suburbs and a black family from its poorest ward cross Houston's color line, overcoming humiliation, degradation, and violence to win the freedom of five black college students unjustly charged with the murder of a policeman.

This is the graphic history of the 2001 Cincinnati riots, told for the first time from the perspective of the participants. When Timothy Thomas, a 19-year-old black man, was fatally shot by police, the city broke out into nonviolent civil disobedience that was met with further police violence. This was the first major uprising of the 21st Century, matched only by the LA riots a decade before and the protests in Ferguson over a decade later. Author and illustrator Dan Mendez Moore was 17 at the time when he participated in the six days of protests.

As a young gay man leading a closeted life in the 1960s American South, Toland Polk tries his best to keep a low profile. He's aware of the racial injustice all around him--the segregationist politicians, the corrupt cops, the violent Klan members--but he feels powerless to make a difference. That all changes when he crosses paths with an impassioned coed named Ginger Raines.

Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet Jim Akutsu, the inspiration for John Okada's No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; Hiroshi Kashiwagi, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and Mitsuye Endo, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court.

After 15 years, Bob Fingerman's race and gender-swapping, pseudo-science-fiction social satire is back in print and better than ever! The tale of a down-on-his-luck African-American nuclear power plant custodian whose brain is transplanted into a militant white teenage girl whose brain also finds a new home, White Like She mixes message, humor, violence, and Frankensteinian brain-juggling.